September 01, 2004
His most famous chapel, Thorncrown in Eureka Springs, Ark., was a reverse play on European Gothic cathedrals. It was inspired especially by the 13th-century Ste.-Chapelle in Paris. The authors of "Architecture in North America Since 1960" described his method there: "At Thorncrown, he reverses the Gothic characteristic of a heavy compressive structure of stone and makes its inverse as a light tensile structure of wood."In a biography, "Fay Jones,'' Robert Adams Ivy Jr., editor of Architectural Record, writes, "This harmoniously unified masterpiece is arguably among the 20th century's great works of art."
Thorncrown is tall and narrow, built of glass, wood and stone. Mr. Jones used a stabilizing device believed to be new at the time, crossed-wood bracing near the ceiling running most of the length of the building. Each brace is two lengths of two-by-four lumber joined by hollow steel joints that produce "a diamond fretwork of light'' that creates "the illusion of infinity," Mr. Ivy writes.
Ste. Chapelle is, to me, the most wonderous structure ever created by man. It is the embodiment of pure light. To see a splendid photo of it from Ken Rockwell, go here (image removed from site at request of artist after I checked with him).
This is my favorite building in Paris and I go visit it whenever I have the chance. It was built between 1246 and 1248 to hold the Crown of Thorns, as well as a piece of the True Cross and its steeple rises some 75 meters.
Throwncrown is clearly derived from it and here are a couple of photos I found. You can see the interior picture below and note the resemblance yourself:
Interior

Exterior

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